199,5x129,5 cm, oil on canvas, 2022
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The work represents a pictorial transposition of a TV signal error. The frozen sequence poses characters with masks on their faces, a fact that alludes to the recent pandemic period. The junction between the technical failure of the broadcast media signal and the chaotic way of managing the pandemic is identified here in the form of jamming. This, intentionally and/or accidentally, involves the recovery of the error and its transposition into the medium of the painting by means of a readymade inverted from digital to analog. The goal of conversion is to escape from the register of unpredictable information and return to the contemplative register of aesthetic language.
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